Rapper Fenix Flexin Acknowledges AI Use on Hit Song 'Rubberz'
Los Angeles rapper Fenix Flexin has acknowledged utilizing artificial intelligence for his 1980s synth-pop track 'Rubberz,' reversing prior denials. Producer Medasin and AI firm Treblo previously flagged the track, utilizing detection software. The admission highlights ongoing debates within the music industry regarding the transparency and acceptance of generative AI tools in creative processes.
Key points
- Fenix Flexin, a rapper based in Los Angeles, acknowledged that artificial intelligence was utilized in the creation of his song 'Rubberz.'
- The admission follows claims by producer Medasin and an AI company, which released detection software identifying the track as generated by Treblo, formerly known as Sonauto.
- In a recent Instagram comment, Fenix defended the technology, stating he never denied its use and arguing that creators must adapt to new tools.
- The latest statement contradicts a direct denial Fenix made last month during an interview on Hot 97's Mornings With Mero with Kazeem Famuyide, where he asserted there was no artificial intelligence on the track.
Los Angeles rapper Fenix Flexin has shifted his stance, acknowledging that artificial intelligence played a role in the production of his 1980s synth-pop-themed track "Rubberz." This development follows weeks of public speculation and conflicting statements from the artist regarding the song's creation process.
The controversy began when producer Medasin posted videos asserting that an artificial intelligence application called Treblo—previously known as Sonauto—was used to produce the track. Furthermore, the company behind the software released a detection tool that categorized "Rubberz" as artificial intelligence-generated content. Initially, Fenix actively pushed back against these claims, explicitly stating during a July interview on Hot 97's Mornings With Mero with host Kazeem Famuyide that there was "no AI on it."
However, in a recent reply on an Instagram post, Fenix addressed the allegations directly, stating that he never explicitly denied utilizing the technology and that it had no bearing on the actual recording process. He defended the integration of emerging technology in music production, suggesting that artists must embrace new tools to stay current. The reversal underscores broader industry conversations about transparency, authorship, and the increasing presence of generative algorithms in contemporary popular music.
Sources
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