Matt Damon Thriller The Rip Crowned Netflix's Biggest 2026 Movie
Netflix's crime thriller The Rip, starring Matt Damon as a police officer, has been named the most-streamed movie of 2026 so far by Nielsen. The 113-minute film accumulated 4.432 billion viewing minutes, outperforming competitors like War Machine and major theatrical releases. This milestone highlights the growing dominance of streaming platforms over traditional box-office blockbusters.
Key points
- Matt Damon stars as a police officer in the Netflix crime thriller titled The Rip.
- Nielsen reports the 113-minute film reached 4.432 billion minutes watched to claim the top streaming spot for 2026.
- The Rip surpassed Netflix's War Machine, which secured second place with 3.531 billion minutes.
- Other prominent titles mentioned in the Nielsen rankings include Sinners, Jurassic World Rebirth, and an Anaconda reboot.
- The achievement underscores the massive home audience engagement for streaming originals compared to theatrical releases.
The crime thriller The Rip, starring veteran actor Matt Damon as a police officer, has officially claimed the title of Netflix's biggest movie of 2026 so far. According to data from ratings firm Nielsen, the 113-minute feature amassed a staggering 4.432 billion minutes watched, outperforming major competitors in the streaming space.
Securing second place on Nielsen's list was another Netflix original, War Machine, which pulled in 3.531 billion viewing minutes. Other notable titles appearing in the broader rankings included Ryan Coogler's vampire thriller Sinners, Jurassic World Rebirth, and Sony's Anaconda reboot, though The Rip comfortably maintained its lead.
This streaming success arrives amid a busy period for Damon, who recently portrayed Odysseus in Christopher Nolan's The Odyssey and is slated to reunite with Ben Affleck for the upcoming Netflix crime project Animals. Analysts note that the massive viewership figures for The Rip reflect the continuing shift in audience habits toward high-profile streaming releases over traditional theatrical distribution.
Sources
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